Earlier this month, a series of laws came into effect aimed at changing not only the behaviour but also the outlook on life of Russians. Works such as Pushkin's The Bronze Horseman, Gogol's Dead Souls, and Chekhov's satirical tales have been banned from schools because they are "unacceptable for a correct understanding of traditional values."

Since 8 March, the Russian capital has also been hit by mobile network blocks “for security reasons”, causing serious disruption in a metropolis that, until recently, presented itself as a digital capital. There are also glitches in the “whitelists” of apps promoted by the regulatory bodies. And there are neighbourhoods where even home Wi-Fi is not working.

The Patriarch Emeritus of Kiev has passed away at the age of 98. He had long been described as “the most Soviet of the metropolitans”, but in 1990 he was bypassed by Alexy in Moscow following the death of Pimen. In 1992, he was the first to break communion with the Russians, taking a large part of the clergy with him. Until, during the turbulent negotiations under President Poroshenko, it was Kirill who rejected an agreement, thinking (wrongly) that he could render it irrelevant in Ukraine.

The death of the patriarch who had led the Georgian Orthodox Church since 1977 and the fiftieth anniversary of the episcopal consecration of the patriarch of Moscow: two stories celebrated in the ‘Russian world’ as ‘heroism of faith resisting heresy’. Yet they also reveal the continuity between present-day Russia and the Stalinist era.

Even on Max – the messaging system imposed by the Moscow authorities as a ‘secure’ alternative to Western apps – a virus is circulating that steals users’ payment details. According to official figures, there are 100 million user profiles registered on the patriotic chat app, which is mandatory for dealing with public administration. However, knowing that conversations are monitored, many Russians use it on a separate phone.

Whilst the Russian pavilion at the Venice Biennale is causing controversy, there are also works in Russia striving to move beyond propaganda in their reflection on current affairs. This is illustrated by the story behind the exhibition *Dies Illa*, opened by Griša Bruskin at the *Zilart* Museum of Contemporary Art in Moscow.